African Folklore

The Shaping of Story: Working Through Ideas

  My notes on re-reading Harold Scheub's work on oral narrative structures and performance. They have shaped the way I think of the fantastic in narrative and how it functions, and by extension, how those "electric moments" when the real and the fantastic are combined in narrative.       Notes from Harold Scheub's Story: an evident […]

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Putting Together My Father’s Research With The Photos: West Africa 1963-64

  Balafon performance in the streets of Conakry, Guinea. ©1963 Emile Snyder   Among the unique documents that have floated my way over the years was a manilla folder full of gorgeous black and white photographs my father took in the Ivory Coast, which was developed there, and some of them might have also been

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Orality and The Singer of Tales.

I am continuing with my notes on reading Walter Ong's Orality and Literacy, with some sidesteps to look at authors, whose work Ong references: Milman Parry and Albert Lord whose Singer of Tales is a fascinating study not only of the structure of Homer's Illiad and The Odyssey but also the important use of mnemonic devices in works

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Kora, Calabash, and Drum: West African Musicians, Photographs circa 1964

My father Emile Snyder was a professor of African Literature and Languages, specializing in contemporary African Literature written in French and English. He taught at a number of universities, including the University of Wisconsin – Madison, the University of Dar- es Salaam, Tanzania, and Indiana University. In 1964 when he was just embarking on a

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