Artists

More Field Drawings: Darjeeling, India 1964. Tibetan Lhamo Performances.

I posted a few field drawings of my mother Jeanette Snyder yesterday, and wanted to add some more of them because I think they are charming — and remind me of the days when field researchers lugged heavy tape recorders, cameras, and note books, just in case all that heavy technology failed, leaving only the […]

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Bittersweet: An Afternoon Under the Tent Watching the A Ice Lhamo Perform

I have been working through my mother Jeanette Snyder's papers — including a cash of drawings, and strips of contact sheet photographs (many that were never developed and for which the negatives disappeared many years ago) on her research of the Tibetan Lhamo in 1964.  She rote a wonderful article "The World Beneath the Tents"

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Clive Hicks Jenkins and his Evocative Book Illustrations for Youmans’ Maze of Blood

  There is something fabulous (and enviable for this writer) at the fertile co-creative spirit between an author and a book illustrator. Over the years, author Marly Youmans has worked with artist Clive Hicks Jenkins to create stunning books — old school style with beautiful original color artwork for the covers, and lovely black and

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A Middle of the Night Meeting With the Commedia

I realized in the middle of the night that everything I had imagined about the plot structure of Three Sisters was insufficient unto the task. I had assumed I could move from one sister's narrative to another, forming discreet and somewhat separate interludes. But, I realized as I turned over on the pillow that If

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In Praise of the Hedgehog

I have been madly in love with the recent offerings of hedgehog marginalia from Medieval Animal Data Network. These adorable looking creatures, are often rendered in the rich golden and red hues of fall, and harvesting grapes (despoiling the vineyards) using their spines like cocktail toothpicks. But most wonderful of all…a group of artists got

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Fantastic Life in the Maze

The maze of Labirinto in The Innamorati (and reappearing in Zizola’s story) is a work of alchemy and fantastic art. It has an organic nature, the twisting pathways lined with walls of densely packed trees. From the outside, it appears solid, immutable. But once inside, it expands and contracts, and once on the path, one

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Letting Go When Writing

Yes…because sometimes writing just feels like this, right before working, in the middle of working, and for the rest of the day after working. It's not scary — but adjustments do have to be made. Probably better not to do anything involving knives or automobiles.  Véronique La Perrière M., Dissolution et recommencement (swan), 2011.

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