"Traveling is brutality. It forces you to trust strangers and to lose sight of all that familiar comfort of home and friends. You are constantly off balance. Nothing is yours except the essential things: air, sleep, dreams, sea, the sky – all things tending towards the eternal or what we imagine of it.” –Cesare Pavese […]
The Novels of Mythic and Perilous Travel Across Borders Read More »
“Traveling is a brutality. It forces you to trust strangers and to lose sight of all that familiar comfort of home and friends. You are constantly off balance. Nothing is yours except the essential things: air, sleep, dreams, sea, the sky – all things tending towards the eternal or what we imagine of it.” –Cesare
The Spine of a Novel That Tends to the Eternal Read More »
I love "road books" — novels whose plot mostly rests on a pair or a troupe of travelers making their way down some famous road. Adventures abound, stories are shared, and the journey becomes more important than the final destination. One of my favorites, which I have picked up again after many years, is the
Shank’s Mare: Hoofing It Down the Tokaido Road Read More »
Although written back in 2009 when the Datlow/Windling anthology Black Swan, White Raven was first published, I only recently and quite by accident discovered that Colleen Mondor gave my short story, "The Reverend's Wife" a rather nice review — which even though lately discovered, has made me very happy this morning. "Right off the bat,
Review By Colleen Mondor of “The Reverend’s Wife.” Read More »
There is something so extraordinary about Tea Obreht's exquisite novel, The Tiger's Wife, set in what was once Yugoslavia over the course of WWI, WWII, and the recent wars that resulted in its dissection into new territories. War forms an continuous backdrop throughout the novel, often as a distant but deeply felt anxiety and sometimes
Folklore and Three Generations of War Read More »
I am in a frenzy, following up from a the previous post on the art of Katherine Ace. We were writing about the surface of art in painting and oral narrative performance of well known fairy tales contrasted with the subtext of evocative imagery — the tension between the encounters of the
The Skin and Blood of Art: Atwood and Lorca Read More »
I had one of those remarkable encounters while reading Kate Atkinson's Case Histories, who was describing in almost identical words an idea I had explored years ago in a poem. It is an ambiguous moment in motherhood, knitting power and love in a fierce and consuming way. It's awful really, selfish as it expresses a desire
The Hungry Mother: Kate Atkinson and Baba Yaga Read More »
Lately, I have been re-reading Rudolph M. Bell's How To Do It, Guides to Good Living for Renaissance Italians — a terrific social history of how Italians viewed their lives from the 15th to the 17th century. Italians were fairly literate then (the publishing industry was booming). There was a proliferation of self-help and advice
How To Do It In the Renaissance Read More »
There is a passage in Arturo Pérez-Reverte's The Pirates of the Levant that struck me as true. We are a military family and for over ten years it has been my pleasure (mingled with a mother's worry and sometimes grief at the violent deaths) of being in the company of remarkable men who have served
Honor & Loyalty in Arturo Pérez-Reverte’s The Pirates of the Levant. Read More »
In the midst of reading The King’s Gold, Arturo Pérez-Reverte’s fourth volume in his swashbuckling series “The Adventures of Captain Alatriste,” I came across one of those brilliant, long, elegant, artfully constructed sentences that takes up almost the entire paragraph. I’ve read it over several times and just can’t get over how gorgeous it is.
The Art of the Long Sentence: Arturo Pérez-Reverte Read More »
