Folklore

Research Notes: Trance States in Mask Work II

Keith Johnstone’s Impro is a terrific book for actors looking for methods to feel at home and never without words on the stage. Johnstone’s emphasis is to understand and utilize improvisation effectively. The book is full of wonderful exercises and activities that do indeed have the ability to unlock spontaneous, creative speech to instigate, develop, and […]

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A Few Thoughts on The Swan Maiden Narratives

Rediscovering earlier notes for my article The Swan Maiden's Feathered Robe — I always like to circle back to these notes because they continue to offer insights. These were notes made from BF LEavy, In Search of the Swan Maiden: A Narrative on Folklore and Gender. I have long been fascinated by the "Animal Bride" stories

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Homeric Sirens II: Enchanters of All Mankind

I am trying to remember that moment in writing The Innamorati — constructed mainly around the characters of the Commedia dell'Arte– when I decided I needed the Siren Herminia to join the cast. I cannot now conceive of the novel without her — but neither can I recall conceiving the necessity of her in the

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More Field Drawings: Darjeeling, India 1964. Tibetan Lhamo Performances.

I posted a few field drawings of my mother Jeanette Snyder yesterday, and wanted to add some more of them because I think they are charming — and remind me of the days when field researchers lugged heavy tape recorders, cameras, and note books, just in case all that heavy technology failed, leaving only the

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Bittersweet: An Afternoon Under the Tent Watching the A Ice Lhamo Perform

I have been working through my mother Jeanette Snyder's papers — including a cash of drawings, and strips of contact sheet photographs (many that were never developed and for which the negatives disappeared many years ago) on her research of the Tibetan Lhamo in 1964.  She rote a wonderful article "The World Beneath the Tents"

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