This is a reposting of an earlier post on the folk tales and others from Laura Gonzenbach‘s collections and seemed a good one to follow on the heels of earlier notes. I also want to reference another post on the banished bride I wrote about earlier this year — a variant of the women below. […]
The Rejected Brides of Folk Tales. Read More »
I realized in the middle of the night that everything I had imagined about the plot structure of Three Sisters was insufficient unto the task. I had assumed I could move from one sister's narrative to another, forming discreet and somewhat separate interludes. But, I realized as I turned over on the pillow that If
A Middle of the Night Meeting With the Commedia Read More »
The maze of Labirinto in The Innamorati (and reappearing in Zizola’s story) is a work of alchemy and fantastic art. It has an organic nature, the twisting pathways lined with walls of densely packed trees. From the outside, it appears solid, immutable. But once inside, it expands and contracts, and once on the path, one
Fantastic Life in the Maze Read More »
Yes…because sometimes writing just feels like this, right before working, in the middle of working, and for the rest of the day after working. It's not scary — but adjustments do have to be made. Probably better not to do anything involving knives or automobiles. Véronique La Perrière M., Dissolution et recommencement (swan), 2011.
Letting Go When Writing Read More »
Have you even noticed how it feels like your characters are peering over your shoulder as you write? Making sure, no doubt, that you will properly represent them. So many authors have written on that weird sensation that characters take over one’s life, that they refuse certain manipulations, that they interrupt the flow of writing
I’m Being Watched: Characters Weigh In on the Progress Read More »
Part of the pleasure of doing research for a new novel is discovering little gems of social history, such as this terrific work of the mid 19th century, "Gestural Expression of the Ancients in the light of Neapolitan Gesturing" by Andrea de Jorio. De Jorio, a cleric and a Canon of the Cathedral of Naples, was
The Horn and The Fig, Neapolitian Gestures Read More »
